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Proceedings Paper

Adaptive color halftoning for minimum perceived error using the blue noise mask
Author(s): Qing Yu; Kevin J. Parker
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Paper Abstract

Color halftoning using a conventional screen requires careful selection of screen angles to avoid Moire patterns. An obvious advantage of halftoning using a blue noise mask (BNM) is that there are no conventional screen angle or Moire patterns produced. However, a simple strategy of employing the same BNM on all color planes is unacceptable in case where a small registration error can cause objectionable color shifts. In a previous paper by Yao and Parker, strategies were presented for shifting or inverting the BNM as well as using mutually exclusive BNMs for different color planes. In this paper, the above schemes will be studied in CIE-LAB color space in terms of root mean square error and variance for luminance channel and chrominance channel respectively. We will demonstrate that the dot-on-dot scheme results in minimum chrominance error, but maximum luminance error and the 4-mask scheme results in minimum luminance error but maximum chrominance error, while the shift scheme falls in between. Based on this study, we proposed a new adaptive color halftoning algorithm that takes colorimetric color reproduction into account by applying 2-mutually exclusive BNMs on two different color planes and applying an adaptive scheme on other planes to reduce color error. We will show that by having one adaptive color channel, we obtain increased flexibility to manipulate the output so as to reduce colorimetric error while permitting customization to specific printing hardware.

Paper Details

Date Published: 4 April 1997
PDF: 5 pages
Proc. SPIE 3018, Color Imaging: Device-Independent Color, Color Hard Copy, and Graphic Arts II, (4 April 1997); doi: 10.1117/12.271601
Show Author Affiliations
Qing Yu, Univ. of Rochester (United States)
Kevin J. Parker, Univ. of Rochester (United States)

Published in SPIE Proceedings Vol. 3018:
Color Imaging: Device-Independent Color, Color Hard Copy, and Graphic Arts II
Giordano B. Beretta; Reiner Eschbach, Editor(s)

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