Proceedings Paper
A stereoscopic lens for digital cinema cameras| Format | Member Price | Non-Member Price |
|---|---|---|
| $17.00 | $21.00 |
Paper Abstract
Live-action stereoscopic feature films are, for the most part, produced using a costly post-production process to convert planar cinematography into stereo-pair images and are only occasionally shot stereoscopically using bulky dual-cameras that are adaptations of the Ramsdell rig. The stereoscopic lens design described here might very well encourage more live-action image capture because it uses standard digital cinema cameras and workflow to save time and money.
Paper Details
Date Published: 17 March 2015
PDF: 7 pages
Proc. SPIE 9391, Stereoscopic Displays and Applications XXVI, 939107 (17 March 2015); doi: 10.1117/12.2081663
Published in SPIE Proceedings Vol. 9391:
Stereoscopic Displays and Applications XXVI
Nicolas S. Holliman; Andrew J. Woods; Gregg E. Favalora; Takashi Kawai, Editor(s)
PDF: 7 pages
Proc. SPIE 9391, Stereoscopic Displays and Applications XXVI, 939107 (17 March 2015); doi: 10.1117/12.2081663
Show Author Affiliations
Lenny Lipton, Leonardo IP (United States)
John Rupkalvis, StereoScope International (United States)
Published in SPIE Proceedings Vol. 9391:
Stereoscopic Displays and Applications XXVI
Nicolas S. Holliman; Andrew J. Woods; Gregg E. Favalora; Takashi Kawai, Editor(s)
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