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Seeing yourself seeing
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Paper Abstract

Through two temporal modalities, the time of the holographic image (the performance recorded time) and the performance time of the public, we create “a new space for the image”, whose structure is influenced by the holographic images and the public as performer. In the tension between the action space of the participants and the virtual space of holographic images, it exists the time image that goes beyond the issue of the movement and has a direct relationship with the participant’s thought.

In this series of digital holographic images and lenticulars, we are using an old camera Canon IS3 and a new HD Canon, on the HOLOrail, to capture old fashion scenes and other scenes having a “nowadays” look and put them on the surface of the holographic plate.

Paper Details

Date Published: 10 March 2015
PDF: 7 pages
Proc. SPIE 9386, Practical Holography XXIX: Materials and Applications, 93860D (10 March 2015); doi: 10.1117/12.2079531
Show Author Affiliations
Isabel Azevedo, Univ. School of Arts of Coimbra (Portugal)
Univ. do Porto (Portugal)
De Monfort Univ. (United Kingdom)
Martin Richardson, De Montfort Univ. (United Kingdom)
Elizabeth Sandford-Richardson, Univ. of the Arts, London (United Kingdom)
Luis Miguel Bernardo, Univ. do Porto (Portugal)
Helder Crespo, Univ. do Porto (Portugal)

Published in SPIE Proceedings Vol. 9386:
Practical Holography XXIX: Materials and Applications
Hans I. Bjelkhagen; V. Michael Bove Jr., Editor(s)

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