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Proceedings Paper

Across light: through colour
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Paper Abstract

The speed at which our world is changing is reflected in the shifting way artistic images are created and produced. Holography can be used as a medium to express the perception of space with light and colour and to make the material and the immaterial experiments with optical and digital holography. This paper intends to be a reflection on the final product of that process surrounding a debate of ideas for new experimental methodologies applied to holographic images. Holography is a time-based medium and the irretrievable linear flow of time is responsible for a drama, unique to traditional cinematography. If the viewers move to left or right, they see glimpses of the next scene or the previous one perceived a second ago. This interaction of synthetic space arises questions such as: can we see, in "reality", two forms in the same space? Trying to answer this question, a series of works has been created. These concepts are embryonic to a series of digital art holograms and lenticulars technique's titled "Across Light: Through Colour". They required some technical research and comparison between effects from different camera types, using Canon IS3 and Sony HDR CX105.

Paper Details

Date Published: 9 February 2012
PDF: 9 pages
Proc. SPIE 8281, Practical Holography XXVI: Materials and Applications, 82810B (9 February 2012); doi: 10.1117/12.908961
Show Author Affiliations
Isabel Azevedo, De Montfort Univ. (United Kingdom)
Martin Richardson, De Montfort Univ. (United Kingdom)
Luis Miguel Bernardo, Univ. of Porto (Portugal)


Published in SPIE Proceedings Vol. 8281:
Practical Holography XXVI: Materials and Applications
Hans I. Bjelkhagen; V. Michael Bove, Editor(s)

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