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Proceedings Paper

Beyond the spatial paradigm: time and cinematic form in holographic art
Author(s): Eduardo Kac
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Paper Abstract

The author discusses holographic art from the point of view of the temporal properties of the medium, using examples from some of the artists who have consistently worked with film, video, digital imaging and holographic animation proper. He suggests that any consideration of this new art form must take into account its dynamic, and not only spatial, qualities. The paper is also complemented with a survey of recent and current research towards holographic film and video, evoking the unique creative potential of these emergent technologies.

Paper Details

Date Published: 1 February 1998
PDF: 12 pages
Proc. SPIE 3358, Sixth International Symposium on Display Holography, (1 February 1998); doi: 10.1117/12.301482
Show Author Affiliations
Eduardo Kac, School of the Art Institute of Chicago (United States)


Published in SPIE Proceedings Vol. 3358:
Sixth International Symposium on Display Holography
Tung H. Jeong, Editor(s)

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