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Proceedings Paper

Artists in conference: an international perspective
Author(s): Douglas E. Tyler; Andrew T. Pepper
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Paper Abstract

Two meetings specifically for the art of holography and funded mainly by the American Shearwater Foundation took place in 1990 and 1996 in the USA and UK. These meetings brought together respected artists and critics to discuss the state of this creative medium. It has now been possible to analyze the discussions which took place and to view them in a critical, academic and global context. Here we discuss some of the mechanisms involved, learning processes, pitfalls and results of possible interest to others thinking of organizing such meetings. Are these events of value, considering the cost of mounting them, should they be regular, topic specific, art meetings or is there scope for similar discussions to take place through other channels, such as SPIE, Lake Forest or the Internet?

Paper Details

Date Published: 1 February 1998
PDF: 9 pages
Proc. SPIE 3358, Sixth International Symposium on Display Holography, (1 February 1998); doi: 10.1117/12.301479
Show Author Affiliations
Douglas E. Tyler, St. Mary's College (United States)
Andrew T. Pepper, Univ. of Nottingham (United Kingdom)


Published in SPIE Proceedings Vol. 3358:
Sixth International Symposium on Display Holography

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